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Some Wild Words

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Birds without feather bleed the sky,
bright blue is draining toward black
and all the false stars hover
over the city in the distance.
The ditch grows without frogs,
the weight of their desire spent
and no longer pressing down on the mud,
the tadpoles sucked up and re-ejaculated
like live ammunition in a fast-action porn flick,
the hollow swelling between roots and rocks,
selling its mutant algæ to city fishermen
as bait for river nymphs, limnads
and other titillations that’ve gotten away—
each sportsman wants his rod to be ready this time.
All along the road
where forests threaten civilization,
heathen are nailed to trees
by the unknown judges of the road.
Until they die they eat dust
and rocks thrown by spinning tires.
They drink the liquid excrement of birds.
Their hair is long and dirty
and tangled into deceptive stories.
Their robes are of black wool
begging for fire.
Sap mingles with blood and urine,
draining the ditches dry
as it flows through the rocks
to the center of the earth,
freeing the snakes.

The moon hums radio jingles
while priests cry under the street lamp
and nuns run in circles,
naked but for their pastimes.
We’d join them if we could
but it’s a sacred ritual reserved
only for those whose undergarments
have been blessed for public examination—
no skids, no pee stains, no menstrual blood,
no wasted cherubs who leaked from his holy dick
after last Sunday’s confessions,
no nocturnal impressions stretching the cotton.
Telephone wires grow taught from distress
as we tell our friends the news.
Every one of us speaks as a prophet
to announce the new polycarbonate age
about to reshape our coffins and beds
so we forget death’s a transition
from prime time to late night—
until the wires overheat with the resistance
inherent in every inevitable apocalypse.
The trees give rhythm to the moon’s song,
like plantation a capella on every beat,
ignoring the heathen pleadings from below,
with a chorus of mad brahmin
hanging in the branches by their toes—
ugly bats to add high harmonic drones,
it makes even the weekend pederast hum along.
Wires snap free!
dancing in worm twists
like all the goddess’ arms swaying chaos
and it’s the end of the world
because it’s the last time you’ll ever get close to her—
she’s mad now and smiling like Kali—
strangling the heathen billboards—
nailed to the burning ash—
forcing vowels from their erratic mouths,
songs gracing their orifices
like a symphony of flatulence
outshining the moon…
until King Sodomy, sixty feet tall
and a red pecker the length of Cadillac hearse
loping in front of his sagging paunch,
dances over the hill just ahead,
legs bowed, eyes green and rolling—
if you don’t adore him he’ll poke your eyes out
and shoot hot semen into the sockets.
On either side, a train of quadriplegics
being towed for his amusement…
A carpet of red and black laughter
spreads from under his magnificent feet
to cover all lands in every direction—
choking heretics and saints
with scalding jizm down their throats,
giving life to whores
and their resplendent cunts,
blessing them as we should all be blessed,
leashing on the world the mythological slut,
the great dream-beast of every man…
and to gigolos learning their trade.
Fire! Fire! Light his ass on fire
and blow-dry the heathens for next christmas!
We want them toasty and clean!
Night screams for release!

A small beggar laughs
and only a puddle remains in the road,
water bugs crawling about his toes,
and wild telephone wires
protruding from his ears, dancing.

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swampmessiah Saint Paul, Minnesota

I was born in Duluth, Minnesota in 1957. I've been drawing all my life and painting since about 1975; I started writing poetry and rants in, maybe, 1976; since 1996 I've been recording those poems and rants, usually with a "musical" backing.
I live in Saint Paul, Minnesota. My partner and I have two children. I have a day job that is in no way artistic.
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